{"id":5343,"date":"2024-01-15T12:46:52","date_gmt":"2024-01-15T11:46:52","guid":{"rendered":"https:\/\/www.muzeumtrebisov.sk\/?p=5343"},"modified":"2026-04-08T11:21:53","modified_gmt":"2026-04-08T09:21:53","slug":"zrestaurovana-malba-ukrizovanie-krista","status":"publish","type":"post","link":"https:\/\/www.muzeumtrebisov.sk\/hu\/blog\/zrestaurovana-malba-ukrizovanie-krista\/","title":{"rendered":"Zre\u0161taurovan\u00e1 ma\u013eba „Ukri\u017eovanie Krista“"},"content":{"rendered":"

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Projekt podporili: <\/h3>\n
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Zre\u0161taurovan\u00e1 ma\u013eba \"Ukri\u017eovanie Krista\"<\/h1>\n<\/div>\n<\/div><\/div><\/div><\/div><\/section>
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Postup re\u0161taurovania ma\u013eby \"Ukri\u017eovanie Krista\", poch\u00e1dzaj\u00facej z prelomu 19. a 20. storo\u010dia<\/h4>\n<\/div>\n<\/div><\/div><\/div><\/div><\/section>
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\nOpis diela<\/strong><\/p>\n

Obraz s mot\u00edvom ukri\u017eovania. V centr\u00e1lnej \u010dasti je tradi\u010dn\u00e9 vyobrazenie ukri\u017eovania Krista. Pod kr\u00ed\u017eom je situovan\u00fdch nieko\u013eko post\u00e1v, z ktor\u00fdch s\u00fa dobre vidite\u013en\u00e9 M\u00e1ria, Je\u017ei\u0161ova matka, k\u013ea\u010diaca M\u00e1ria Magdal\u00e9na a jeho u\u010den\u00edk J\u00e1n. Obraz je napnut\u00fd v drevenom r\u00e1me a datovan\u00fd do 19. storo\u010dia.<\/p>\n

Predmet je v n\u00e1lezovom stave. Olejoma\u013eba je silne zne\u010disten\u00e1, vrchn\u00fd olejov\u00fd n\u00e1ter je stmavnut\u00fd. Pl\u00e1tno je dvoch miestach prederaven\u00e9. Na viacer\u00fdch miestach je pigment vypadan\u00fd. V strede je r\u00e1m spevnen\u00fd prie\u010dnou li\u0161tou, \u010do zanechalo stopy aj na pl\u00e1tne.<\/p>\n

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\nStav diela pred re\u0161taurovan\u00edm<\/strong><\/p>\n

Dielo je v stave, ktor\u00fd si vy\u017eaduje komplexn\u00fd re\u0161taur\u00e1torsk\u00fd z\u00e1sah. Do\u0161lo k\u00a0miernemu zvlneniu pl\u00e1tna, predov\u0161etk\u00fdm v\u00a0rohoch ma\u013eby. Lakov\u00e1 vrstva na povrchu ma\u013eby je stmavnut\u00e1 a zo\u017eltnut\u00e1. Pravdepodobne kriedov\u00fd podklad je dobre spojen\u00fd s\u00a0pl\u00e1tnovou podlo\u017ekou, av\u0161ak n\u00e1sledkom mechanickej de\u0161trukcie doch\u00e1dza k\u00a0postupnej degrad\u00e1cii. Maliarskej vrstve m\u00f4\u017ee v d\u00f4sledku zvlnenia a pol\u00e1mania hrozi\u0165 opad\u00e1vanie. Povrch ma\u013eby je silne stmavnut\u00fd od sekund\u00e1rneho laku a depozitu. V\u00a0pl\u00e1tennej podlo\u017eke sa nach\u00e1dzaj\u00fa trhliny. Podr\u00e1m je p\u00f4vodn\u00fd av\u0161ak nevhodn\u00fd\u00a0 a \u00a0bude nutn\u00e1 jeho v\u00fdmena. Podr\u00e1m sa pretl\u00e1\u010da do povrchu ma\u013eby. Origin\u00e1lne pl\u00e1tno je v\u00a0zlom stave a bude nutn\u00e9 jeho spevnenie dublovan\u00edm na nov\u00e9 pl\u00e1tno.<\/p>\n

Drevn\u00e1 hmota ozdobn\u00e9ho r\u00e1mu je nenaru\u0161en\u00e1 drevokazn\u00fdm hmyzom, av\u0161ak kriedov\u00e1 vrstva na nieko\u013ek\u00fdch miestach opadan\u00e1 a\u00a0nestabiln\u00e1.<\/p>\n

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\nZd\u00f4vodnenie n\u00e1vrhu na re\u0161taurovanie<\/strong><\/p>\n

„Dielo je v s\u00fa\u010dasnosti v stave, ktor\u00fd znehodnocuje historick\u00fa aj v\u00fdtvarn\u00fa hodnotu diela a nie je ho\u00a0 mo\u017en\u00e9 vyu\u017ei\u0165 na expozi\u010dn\u00e9 \u00fa\u010dely. Dielo bolo v minulosti nieko\u013ekokr\u00e1t opravovan\u00e9 nevhodn\u00fdm sp\u00f4sobom, ktor\u00fd esteticky, ale aj technicky znehodnotili dielo. Re\u0161taur\u00e1torsk\u00fdm z\u00e1sahom bude dielo stabilizovan\u00e9 a bude mu prinavr\u00e1ten\u00e1 p\u00f4vodn\u00e1 estetika, tak aby mohlo plnohodnotne plni\u0165 svoju funkciu.“<\/p>\n

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\nPostup re\u0161taur\u00e1torsk\u00fdch pr\u00e1c<\/strong><\/p>\n

Re\u0161taur\u00e1torsk\u00e9 pr\u00e1ce prebiehali v s\u00falade s N\u00e1vrhom technol\u00f3gie a postupu re\u0161taurovania.<\/p>\n

V\u00a0prvej etape bolo nevyhnutn\u00e9 dielo stabilizova\u0165 tak, aby nedoch\u00e1dzalo k\u00a0jeho \u010fal\u0161ej de\u0161trukcii, ktor\u00e1 bola sp\u00f4soben\u00e1 predov\u0161etk\u00fdm naru\u0161enou, zkrehnutou pl\u00e1tennou podlo\u017ekou. Nede\u0161trukt\u00edvny aj sond\u00e1\u017eny prieskum n\u00e1m potvrdil celoplo\u0161n\u00fa, sekund\u00e1rnu lakov\u00fa \u00fapravu \u010d.3, pod ktorou sa nach\u00e1dzala tenk\u00e1 vrstva laku \u010d.2.<\/p>\n

Nevhodn\u00e1 sekund\u00e1rna lakov\u00e1 vrstva \u010d.3 bola odstr\u00e1nen\u00e1 chemicky Isoprophylalkoholom. Sekund\u00e1rna lakov\u00e1 vrstva \u010d.2 bola do\u010disten\u00e1 mechanicky skalpelom. Ma\u013eba bola doplnen\u00e1 o nov\u00e9 \u010dasti pl\u00e1tna, v\u00a0miestach absencie origin\u00e1lu. Celoplo\u0161ne bola olejoma\u013eba na\u017eehlen\u00e1 na nov\u00e9 podporn\u00e9 pl\u00e1tno, pomocou syntetickej \u017eivice BEVA 371.<\/p>\n

N\u00e1sledne bolo dielo vytmelen\u00e9 kriedov\u00fdm tmelom, zat\u00f3novan\u00fdm podla origin\u00e1lnej farebnosti podkladu.<\/p>\n

Retu\u0161 bola realizovan\u00e1 lakov\u00fdmi farbami, rekon\u0161truk\u010dnou retu\u0161ou.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0V\u0161etky z\u00e1sahy s\u00fa \u00faplne reverzibiln\u00e9 a vo\u010di materi\u00e1lovej podstate pamiatky inertn\u00e9.<\/p>\n

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Z verejn\u00fdch zdrojov podporil Fond na podporu umenia<\/span><\/p>\n

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\nFinancovanie re\u0161taurovania<\/strong><\/p>\n

M\u00fazeum a Kult\u00farne centrum ju\u017en\u00e9ho Zempl\u00edna v Trebi\u0161ove, kult\u00farne zariadenie Ko\u0161ick\u00e9ho samospr\u00e1vneho kraja, sa v roku 2022 zapojilo do v\u00fdzvy \u010d. 7\/2023 (5.4 Re\u0161taurovanie a o\u0161etrenie zbierkov\u00fdch predmetov), v ktorej uspelo a z Fondu na podporu umenia<\/strong> n\u00e1m boli poskytnut\u00e9 finan\u010dn\u00e9 prostriedky vo v\u00fd\u0161ke 2\u00a0000,00 \u20ac.<\/strong> Spolufinancovanie a dofinancovanie re\u0161taurovania v celkovej v\u00fd\u0161ke 650,00 \u20ac<\/strong> n\u00e1m poskytol n\u00e1\u0161 zria\u010fovate\u013e, Ko\u0161ick\u00fd samospr\u00e1vny kraj.<\/strong> Celkov\u00e1 suma re\u0161taur\u00e1torsk\u00fdch pr\u00e1c sa vy\u0161plhala na sumu 2 650,00 \u20ac.<\/strong> Re\u0161taurovanie vz\u00e1cnej olejoma\u013eby vykonala Mgr. art. \u013dudmila Zozu\u013e\u00e1kov\u00e1, \u010dlenka Komory re\u0161taur\u00e1torov.<\/p>\n

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